UDC 130.2

© Stepanova N.Yu., 2009

Dance and Nonsense: an Existential View on Dance Variety Practice

Polyphony of modern dance variety allows to single out stable ways of “treatment” with sense by means of choreographic language. Nonsense as one of the basic concepts of French existential philosophy (Camus A.) becomes central category of their differentiation determining value of movement and “word” in single artistic whole in a new fashion.

Keywords: dance, modern, nonsense, sense, consciousness, identity aesthetics, movement, codified, contradiction, body discourse

References:

1. Kamyu A. Buntuyushchiy chelovek. Filosofiya. Politika. Iskusstvo. M., 1990.
2. Tam zhe.
3. Tam zhe.
4. Tam zhe.
5. Tam zhe.
6. Tam zhe.
7. Lotman YU. M. Struktura khudozhestvennogo teksta // Lotman YU. M. Ob is-kusstve. SPb., 2005.
8. Telegin S. M. Filosofiya mifa. Vvedenie v metod miforestavratsii. M., 1994.
9. Lotman YU. M. Struktura khudozhestvennogo teksta // Lotman YU. M. Ob is-kusstve. SPb., 2005.
10. Bezhar M. Mgnovenie v zhizni drugogo: memuary. M., 1989.
11. Kamyu A. Buntuyushchiy chelovek. Filosofiya. Politika. Iskusstvo. M., 1990.
12. Tam zhe.
13. Tam zhe.

 Download article (303.4 Kb)

 Сontents